The bokehgons make the background a teensy bit distracting, but there's no denying the Hog's presence.

I don't know what it is but I'm drawn strongly to this one. Ms H's body looks so diminutive and even though her head is down, (perhaps it's because it is down) I'm continually trying to engage. I dunno. Lovely bokeh, of course.

I think the sideways orientation here is more effective in grabbing a viewer's attention.

And I prefer this version of 2805 because of the dark expanse on the left. You should know by now that I'm the "Prince of Darkness" just as I think of you as the "Harbinger of Light".

This one for me. I like being closer; I agree with Simon about the negative space, and I like the vague dark shapes within it.

More involved that 2804, and again exquisitely processed, but I prefer the wide open spaces of 2804.

Utterly beautiful. So soft and yet so share and the processing with so much empty space is exquisite. Big like.

Agree with Simon about the nested and progressively oof arcs and excptional sharpness on part of the front one. But the bricks win today

And my vote goes to this one for the closer view of the bricks, the dodgy wiring (some seems so anyway), and the really weird white paint job. Great find.

I like this one for all the strange brickwork it reveals - some very strange features.