I've flicked between these two a few times now and have finally stayed here. The out of plumb orientation of the other comes across very well but ultimately succumbed to the conventional.

Looks to be a very healthy recovery; he's almost flaunting his form! I like the "picture" windows too.

Love the ghostly greenery. Fine enough to be easily moved by a breeze as well as leave quite delicate tracery in only 1 sec.

I don't recognise him (Bacchus?) but he seems a bit distracted by the blue patch to his left

I do like the off plumb orientation of the shelving here, but P has a stronger presence in the other shot.

Fabulous; whatever darkness was identified seems not to be an issue on my screen. Mischievous pose and ripper capture. I find 1600 delivers quite acceptable images indoors if the histogram isn't too far to the left. Prefer 800 as a working max but Sony, Fuji and Pentax sensors all do well at 1600.

Nice colour overall and Jeep looks great. No lens flare other than the nice diffraction pattern. I'm a little surprised that with the aperture/shutter speed/ISO the sky isn't showing more blue, and possibly stars. But yes, looks like a nice addition to your lens armoury.

You're bonding strongly to the timber stockpiles
Cooler tones here but that may be processing. Clarity has held up well for 1 second.

I do like the diffraction pattern from the street light, and only f4.

Yep, reo was the first thing I noticed, and confirming it's a concrete pool. Fascinating to see it in progress; I'm keen to see what happens to the surrounds as well.