Well, if the textured glass is replaced with plain, why not go for a reflection?
Skillfully angled.

That gate was made just for you and your camera.

I reckon there's another good stark B&W, probably square, just with the front wheel and frame parts with shadows.

OK I understand what you're doing now with the reduxes linking back to the date-shot albums. In this instance I prefer the original, but of course I acknowledge again that you're doing these for your own artistic objectives. However I find the tighter crop and much brighter interpretation has sacrificed some of the pop of the original. Very nice how the MacTak's capture of the main subject has been so accepting of your handiwork.

Striking, stunning, ripper even. Despite the graphic low pov, there's enough canyon depth retained to understand the landscape you're shooting. I find the centre splotches of red and gold flare distracting as well as the arc above the sun. On the other hand you've got the classic Laowa sunburst rays beneath the horizon and I love the link between the sun and the bright rock outcrop in the foreground. It's like an invisible leading line that draws my eye right across the frame. I also like how the low pov has allowed the big outcrop on the right to intrude the sky so dramatically. I note its laminations are also leading my eye to the sun. Interesting how the chosen exposure triangle has still allowed you to pull out plenty of detail from what must have been fairly dark canyon slopes. I have visions of your mates just about ready to drag you into the car haha. Great work.

OCDC has me wanting to move some of those plant pots and stands to their "correct" positions wrt floor tile joint patterns lol.

I like the off-centred geometry here as well as the people within the light games below. Another option that appeals to me is almost a square crop - retain full widteh, but remove the ceiling stuff - creates an overall darker image that concentrates the eye on the ground level and adds an air of mystery by not having the source of the main shadow pattern identified.

The shadow patterns are intriguing and certainly add something to the interior dynamics of the mall setting. I think I remarked before along the lines of - wondering what proportion of the people consciously think about the shadows as they walk over them, and did the architect have this impact in mind when he/she designed the building?

Is this a test? I know I've seen and commented on this one. It's in your July album (like the one next door) but no comments. RUOK?

Nice combo of rounds and squares.